中国收藏与鉴定史国际研讨会(11月11日–12日)

中国收藏与鉴定史国际研讨会

International Symposium on the Collecting and Connoisseurship in Chinese Art History

时间：

2016年11月11日–12日  9:00-17:00

Time: 

November 11th to 12th, 2016

地点：

浙江大学紫金港校区小剧场

Venue: 

Theater of Zijingang Campus, Zhejiang University

主办单位：浙江大学

Organizer: Zhejiang University

承办单位：

浙江大学文化遗产研究院

浙江大学艺术与考古博物馆

Implementer:

The Cultural Heritage Institute, Zhejiang University

Zhejiang University Museum of Art and Archaeology

协办单位：

浙江大学《中国历代绘画大系》编辑委员会

浙江大学文化遗产学科发展联盟（筹）

Co-organizer:

Editorial Committee ofA Complete Collection of Ancient Chinese Paintings

The Cultural Heritage Consortium, Zhejiang University (Preparatory)

报名：

长按并识别文章下方二维码。

Registration:

Please long press the QR code below and identify it.

会议简介

中国自觉的收藏行为，至少可追溯至汉代，并在其后至民国的两千多年间，形成了独特的文化、社会与政治现象。其中朝廷建立收藏以促进其政治及意识形态主张、士人以收藏树立身份及文化之认同与区隔、以及收藏、鉴定与创作的密切关连与互动，乃是中国收藏史的若干重要侧面。这些出于不同目的的收藏努力，共同塑造了中国收藏史的特有形态。

近30年来，随着中国经济之增长、文化事业之进步，收藏与研究也进入活跃状态。在教育、学术机构从事收藏及相关研究的同时，民间也涌现出一庞大的收藏群体。在此背景下，浙江大学将于11月11日至12日，举办“中国收藏与鉴定史国际研讨会”，从不同视角探讨中国收藏与鉴定的历史，以期促进艺术史研究的进步与当代文化之建设。

会议中，海峡两岸故宫博物院、上海博物馆、香港中文大学文物馆、美国佛利尔美术馆的专家和浙江大学、中央美术学院、台湾大学、美国加州大学、布朗大学和欧洲的学者，将分別从收藏文化、皇室收藏、收藏活动中的性別文化、地域差异、资讯与运输、以及鉴定学个案等角度，展开深入讨论；时代覆盖宋元明清，内容涉及金石、书画及陶瓷等。

为配合研讨之进行，同时弥补会议议题之阙，浙江大学艺术与考古博物馆、浙江大学图书馆将联合举办《我来自东：东亚艺术收藏在西方的建立（1840-1930）》专题展览。

CONTENT

Self-conscious collecting behaviors in China can be reliably traced to at least as early as the Han dynasty. Over the course of the subsequent two millennia that led up to the Republican Era, art collecting had formed a unique cultural, social, and political phenomenon. The court established collections to advance its political and ideological causes; literati collected art to articulate their social identity, and cultural identification and distinction; and the domains of collecting, connoisseurship, and art-making themselves were imbricated in dense patterns of mutual interaction and exchange — all of these were significant aspects of the history of collecting in China. Motivated by disparate ambitions, these various collecting efforts collectively define the shape of the history of collecting in China.

Over the past thirty years, with China’s economic growth and cultural development, collecting and corresponding research also enter an active phase. Just as educational and academic institutions are engaging in collecting and related research, a thriving community of independent collectors has also emerged. Against such a background, from 11th to 12th of November Zhejiang University will be hosting an international symposium on Collecting and Connoisseurship in Chinese Art History and exploring this subject from various perspectives, in order to promote advancement in the state of art historical research and current cultural construction.

In this symposium, specialists from the Palace Museum, Beijing and Taipei, the Shanghai Museum, the Art Museum at the Chinese University in Hong Kong, the Freer Gallery of Art in the US, and scholars from Zhejiang University, Central Academy of Fine Arts, Taiwan University, University of California, Brown University, and Europe, will engage in the in-depth discussions from perspectives of the culture of collecting, imperial collection, gender in collecting activities, regional disparity, information and transportation, and connoisseurial case studies; covering Song, Yuan, Ming, and Qing, the symposium will address issues related to ancient bronzes and stone tablets, calligraphy, paintings and ceramic collections.

In order to facilitate the symposium and to complement the topics under its agenda, the Zhejiang University Museum of Art and Archaeology and the Zhejiang University Library will be co-hosting a special exhibition, The West Discovers East Asian Art, 1842-1930.

会议议程

AGENDA

11月11日

Nov. 11th

9:00-9:20

缪哲介绍会议主题及分组主持人 

Introduction of the symposium and panel hosts by Miao Zhe

9:20-11:40 

第一组 Panel One 

主持：薛永年 （中央美术学院）

Chair: Xue Yongnian (Central Academy of Fine Arts) 

傅申台湾大学艺术史研究所 

Fu Shen, Graduate Institute of Art History, Taiwan University 

我对日本藏传李成《乔松平远》及传李唐《山水》双幅之私见

My Personal View on Li Cheng’s Tall Pines and Level Distance and the Kōtō-in Landscapes Attributed to Li Tang from Japanese Collections

王连起北京故宫博物院

Wang Lianqi, Beijing Palace Museum

收藏与鉴定史漫议 

A Discussion on the History of Collecting and Connoisseurship 

孟洁予布朗大学 

Jeffrey Moser, Brown University 

宋代金石收藏与研究起源 

On the Origins of Antiquarianism in the Song Dynasty

讨论Discussion

14:00-17:00 

第二组Panel Two 

主持：安明远（佛利尔及赛克勒美术馆 ）

Chair: Stephen Allee（Freer Gallery of Art and Arthur M. Sackler Gallery）

卢慧纹台湾大学艺术史研究所 

Lu Hui-wen, Graduate Institute of Art History, Taiwan University

蒙元时期的法书鉴藏活动

Collecting and Connoisseurship in Calligraphy in the Mongolian Yuan Dynasty

尹吉男中央美术学院

Yin Jinan,Central Academy of Fine Arts

无鉴而赏：《杏园雅集图》的阅读与回响

Appreciation in the Absence of Connoisseurship: A Reading of the Elegant Gathering in the Apricot Garden and Its Repercussions

李慧闻独立学者

Celia Carrington Riely,Independent Scholar

一个肆无忌惮的收藏家与两个改动的董其昌印章

An Unscrupulous Collector and the Strange Case of the Altered Seals

陆明华上海博物馆

Lu Minghua,Shanghai Museum

鉴藏之路——暂得楼主与古代瓷器

Path of Connoisseurship and Collecting—Master of Zandelou and Ancient Ceramics

讨论Discussion

11月12日

Nov. 12th 

9:00-11:20

第三组 Panel Three 

主持：姚进庄（香港中文大学文物馆 ）

Chair: Josh Yiu (Art Museum of Chinese University of Hong Kong)

李慧漱加州大学洛杉矶校区

Lee Hui-shu,University of California, Los Angeles

从《万岁通天帖》管窥皇室女性之鉴藏活动与性别文化空间

Examining Imperial Women’s Connoisseurial and Collecting Activities and Gender Space through the Wansuitongtian Model Calligraphy

张震北京故宫博物院

Zhang Zhen, Beijing Palace Museum

探析乾隆内府绘画收藏的功能——以几幅藏品为例

Exploring the Functions of the Painting Collection of Emperor Qianlong’s Imperial Household, with Several Pieces from the Collection as Examples

余佩瑾 台北故宫博物院

Yu Pei-chin, Taipei Palace Museum

《埏埴流光册》制作及相关问题

The Making of the Yanzhiliuguang Album and Related Issues

讨论Discussion

14:00-17:00

第四组Panel Four

主持：缪哲（浙江大学） 

Chair: Miao Zhe (Zhejiang University) 

黄小峰中央美术学院

Huang Xiaofeng, Central Academy of Fine Arts

宋画的迷雾：《却坐图》年代的再思考

A Mystery in Song Painting—Reconsidering the Date of the Quezuo tu

薛龙春浙江大学

Xue Longchun,Zhejiang University

观画如人：王铎的收藏、鉴定及其意义

"Viewing a Painting as Viewing a Person"—Wang Duo’s Collection, Connoisseurship and Their Significance

何炎泉台北故宫博物院

He Yan-chiuan, Taipei Palace Museum

乾隆朝后期之民间碑帖收藏与碑学关系初探

A Preliminary Exploration on the Relationship between the Stele School Calligraphy and Private Rubbing Collections in the Later Years of the Qianlong Reign

白谦慎浙江大学

Bai Qianshen, Zhejiang University

信息、票号、运输——晚清收藏的网络要素

Information, Ticket Stores (Piaohao), and Transportation—The Networks of Late-Qing Collecting Practice

讨论Discussion

报名

长按并识别二维码报名

Do register please long press the QR code and identify it.